Wednesday, August 05, 2015

Jon Stewart, 2015-08-05 - The New York Times, Jon Stewart, Sarcastic Critic of Politics and Media, Is Signing Off

http://www.nytimes.com/2015/08/06/business/media/jon-stewart-a-sarcastic-critic-of-politics-and-media-signs-off.html?smid=fb-nytimes&smtyp=cur&_r=0

Jon Stewart, Sarcastic Critic of Politics and Media, Is Signing Off


Photo

Using a fake news format, Jon Stewart was equally trusted and distrusted, polls showed, and viewer numbers fell in recent years.CreditVictoria Will/Invision, via Associated Press


On Thursday night 10 presidential candidates will spill onto a stage in Cleveland, and the already crowded Republican primary race will begin in earnest with the first day of debates, live on Fox News.

The perfect Jon Stewart moment.

But Mr. Stewart won’t be around to skewer the participants. A couple of hours earlier, on the Far West Side of Manhattan, he will have already taped his final show.

The timing is coincidental, but meaningful: Mr. Stewart has spent his career as host of the “The Daily Show” on Comedy Central having a field day with politicians (many of them Republican), outlandish billionaires (including Donald Trump) and cable news stations (Fox News in particular).

Since Mr. Stewart started hosting “The Daily Show” 16 years ago, the country’s trust in both the news media and the government has plummeted. Mr. Stewart’s brand of fake news thrived in that vacuum, and turned him into one of the nation’s most bracing cultural, political and media critics.

With his over-the-top presentation of the news — his arms swinging wildly, his eyes bulging with outrage, followed by a shake of the head and a knowing smile — Mr. Stewart attracted a generation of viewers ready to embrace an outlier whose exaggerations, in their view, carried more truth than conventional newscasts.


Jon Stewart will host his final “Daily Show” on Thursday, after 16 years.CreditTodd Heisler/The New York Times


“He made the position what it was and he was smart and talented enough to imagine what this could be,” Senator Al Franken of Minnesota, a Democrat and himself a former performer on “Saturday Night Live,” said in an interview. “It evolved very quickly under his leadership and used the format of fake news to talk about everything and anything, and do it brilliantly.”

When Mr. Stewart took over Comedy Central’s late-night slot, replacing Craig Kilborn, the show was on a little-watched cable network, with around 350,000 viewers a night. That number grew year after year, and at its height, in the 2008-2009 season, it drew 1.6 million viewers a night, many of them young and left-leaning.

But Mr. Stewart was far from a universally loved figure. His viewership, though a boon for Comedy Central, was much smaller than that of the network late-night shows. A Pew Research poll said there were nearly as many viewers who distrusted it as those who trusted it, and there was a significant divide among the liberals who craved it and conservatives who loathed it. Critics, even on the left, said he could come off as pompous and self-righteous.

Still, the show’s relentless focus on political news, and the amount of time Mr. Stewart, who is not granting interviews ahead of his departure, would devote to a certain topic each night, made him an object of fascination, especially among the press.

“I think Stewart has it both ways,” said Jeff Greenfield, the longtime TV news reporter. “He says he’s just a comedian but he’s more than a comedian and I think he knows that. I spent three decades-plus doing network news but if you ask me today, what do I pay more attention to, John Oliver and Jon Stewart or the evening newscast, it’s not close. I get much more out of Oliver and Stewart when he’s cooking than I do out of those formulaic 22-minute newscasts.”

“There are a lot of journalists who watch Stewart and envy the freedom he has,” Mr. Greenfield added. “You can’t go on television when you’re a journalist and say, ‘Senator X is a bald-faced liar.’ ”

The show’s producers and writers knew they had that in their favor. The show’s popularity started to gain steam during the 2000 election, said Madeleine Smithberg, a creator of “The Daily Show,” especially in the monthlong drama after the election that led to the Bush v. Gore decision. “We moved into the forefront in everybody’s mind and everyone was watching us because we were the only ones who could call it for what it actually was,” Ms. Smithberg said.

By that point, Mr. Stewart had been host for two years and was zeroing in on the show’s identity, a significant departure from his predecessor Mr. Kilborn, who was a former sports anchor.

“The show certainly had not found itself by the time Craig had left,” said Lewis Black, the comedian and longtime “Daily Show” contributor who worked with both hosts. “The pieces were in place but it needed somebody to guide the ship in. Jon really became that person.”

As that was happening, “South Park” was becoming a hit in its own right, and Comedy Central began to take off.

“What Jon did was put us into the national conversation and put us into the zeitgeist and the front page,” said Doug Herzog, the president of the Viacom Music and Entertainment group.

It’s a platform that has turned Mr. Stewart’s little-known replacement, the 31-year-old Trevor Noah, into an overnight celebrity. And the show has likewise minted many stars, including Stephen Colbert, who is replacing David Letterman next month; John Oliver, who now has his own show on HBO; Steve Carell; Ed Helms; Larry Wilmore; and Samantha Bee.

There have been many milestones: Mr. Stewart’s coverage of the Bush White House; the show’s best-selling book, “America: A Citizen’s Guide to Democracy Inaction”; his confrontations with CNBC’s Jim Cramer; and his feuds with Fox News. (Mr. Stewart revisited that topic on the show Monday night, after Fox News accused him of being too cozy with the Obama administration because he had visited the president at the White House.)

In 2010, Mr. Stewart and Mr. Colbert organized a gathering that attracted thousands in Washington, called the “Rally to Restore Sanity and/or Fear,” in response to the conservative commentator Glenn Beck and the growing Tea Party movement. That same year, his determined advocacy of a bill to provide aid to 9/11 responders was widely cited as the reason it passed through Congress.

There are signs, however, that the show’s best days are behind it. It has had a declining audience for three straight years, and its average for total viewers this season is about 1.35 million, its lowest since 2005. The viewership in the 18-to-49-year-old demographic, at 725,000 viewers a night, is at its lowest in 11 years, according to data from Nielsen.

Mr. Herzog, of Viacom, took issue with the figures, arguing that including viewers who were watching parts of his show online, “Jon’s probably more impactful than ever.”

Mr. Black said that Mr. Stewart might have benefited most from the news events that marked his tenure — from the Bush administration to the wars in the Middle East to the rise of 24-hour news channels and the emergence of Barack Obama and the Tea Party.

“The show gained its power not just from Jon and not just from the writers of the show, but also the time frame in which it occurred,” Mr. Black said.

“He would turn out every day and do something that would provide people a certain amount of insulation from the madness we’re bombarded with from the moment we wake up,” he continued. “Whether someone is bombing this place or someone is shooting someone, or some senator said something so profoundly beyond human comprehension that one would consider it fictional if one didn’t know this was a real person. But laughter? Laughter allows you to say, ‘Ah! I am not a part of this,’ and you disengage for a moment.”

A version of this article appears in print on August 6, 2015, on page B1 of the New York edition with the headline: A Sarcastic Critic of Politics and Media, Signing Off .

Thursday, July 30, 2015

Foo Fighters, 2015-07-30 - SPIN, Watch 1,000 Musicians Play the Foo Fighters’ ‘Learn to Fly’ at the Same Time

http://www.spin.com/2015/07/watch-1000-musicians-play-foo-fighters-learn-to-fly-same-time-italy-dave-grohl/

Watch 1,000 Musicians Play the Foo Fighters’ ‘Learn to Fly’ at the Same Time


It's a veritable army of Fighters




By: James Grebey// July 30, 2015

One thousand musicians banded together in Italy to perform the Foo Fighters’ “Learn to Fly” all at once in an attempt to woo the band to come play a show for them. Let’s repeat that — 1,000 musicians. A thousand.

“The Foo Fighters are not in Romagna since 1997, it’s time to get them back, but we need a crazy idea,” the description on Rockin’ 1000’s website explains. “We have to organize something that kicks ass worldwide and can be seen by Dave Grohl: We will ask one thousand rockers to play one of their songs, all together and at the same time.”

And they did it — magnificently, after more than a year of work. “What we did here is a huge, huge miracle,” the event’s creator Fabio Zaffagnini explained. “One thousand rockers that came from all over the nation at their own expense, and they just did one song — your song. We ask you, the Foo Fighters, to come play for us.”

It’s an invitation that’s going to be pretty hard to turn down. Check it out here.

Thursday, July 23, 2015

NASA, 2015-05-23 - NASA, NASA’s Kepler Mission Discovers Bigger, Older Cousin to Earth

http://www.nasa.gov/press-release/nasa-kepler-mission-discovers-bigger-older-cousin-to-earth

July 23, 2015
15-156

NASA’s Kepler Mission Discovers Bigger, Older Cousin to Earth


NASA's Kepler mission has confirmed the first near-Earth-size planet in the “habitable zone” around a sun-like star. This discovery and the introduction of 11 other new small habitable zone candidate planets mark another milestone in the journey to finding another “Earth.”

The newly discovered Kepler-452b is the smallest planet to date discovered orbiting in the habitable zone -- the area around a star where liquid water could pool on the surface of an orbiting planet -- of a G2-type star, like our sun. The confirmation of Kepler-452b brings the total number of confirmed planets to 1,030.

"On the 20th anniversary year of the discovery that proved other suns host planets, the Kepler exoplanet explorer has discovered a planet and star which most closely resemble the Earth and our Sun," said John Grunsfeld, associate administrator of NASA’s Science Mission Directorate at the agency’s headquarters in Washington. “This exciting result brings us one step closer to finding an Earth 2.0."

Kepler-452b is 60 percent larger in diameter than Earth and is considered a super-Earth-size planet. While its mass and composition are not yet determined, previous research suggests that planets the size of Kepler-452b have a good chance of being rocky.

While Kepler-452b is larger than Earth, its 385-day orbit is only 5 percent longer. The planet is 5 percent farther from its parent star Kepler-452 than Earth is from the Sun. Kepler-452 is 6 billion years old, 1.5 billion years older than our sun, has the same temperature, and is 20 percent brighter and has a diameter 10 percent larger.

“We can think of Kepler-452b as an older, bigger cousin to Earth, providing an opportunity to understand and reflect upon Earth’s evolving environment," said Jon Jenkins, Kepler data analysis lead at NASA's Ames Research Center in Moffett Field, California, who led the team that discovered Kepler-452b. "It’s awe-inspiring to consider that this planet has spent 6 billion years in the habitable zone of its star; longer than Earth. That’s substantial opportunity for life to arise, should all the necessary ingredients and conditions for life exist on this planet.”

To help confirm the finding and better determine the properties of the Kepler-452 system, the team conducted ground-based observations at the University of Texas at Austin's McDonald Observatory, the Fred Lawrence Whipple Observatory on Mt. Hopkins, Arizona, and the W. M. Keck Observatory atop Mauna Kea in Hawaii. These measurements were key for the researchers to confirm the planetary nature of Kepler-452b, to refine the size and brightness of its host star and to better pin down the size of the planet and its orbit.

The Kepler-452 system is located 1,400 light-years away in the constellation Cygnus. The research paper reporting this finding has been accepted for publication in The Astronomical Journal.

In addition to confirming Kepler-452b, the Kepler team has increased the number of new exoplanet candidates by 521 from their analysis of observations conducted from May 2009 to May 2013, raising the number of planet candidates detected by the Kepler mission to 4,696. Candidates require follow-up observations and analysis to verify they are actual planets.

Twelve of the new planet candidates have diameters between one to two times that of Earth, and orbit in their star's habitable zone. Of these, nine orbit stars that are similar to our sun in size and temperature.

“We've been able to fully automate our process of identifying planet candidates, which means we can finally assess every transit signal in the entire Kepler dataset quickly and uniformly,” said Jeff Coughlin, Kepler scientist at the SETI Institute in Mountain View, California, who led the analysis of a new candidate catalog. “This gives astronomers a statistically sound population of planet candidates to accurately determine the number of small, possibly rocky planets like Earth in our Milky Way galaxy.”

These findings, presented in the seventh Kepler Candidate Catalog, will be submitted for publication in the Astrophysical Journal. These findings are derived from data publicly available on the NASA Exoplanet Archive.

Scientists now are producing the last catalog based on the original Kepler mission’s four-year data set. The final analysis will be conducted using sophisticated software that is increasingly sensitive to the tiny telltale signatures of Earth-size planets.

Ames manages the Kepler and K2 missions for NASA’s Science Mission Directorate. NASA's Jet Propulsion Laboratory in Pasadena, California, managed Kepler mission development. Ball Aerospace & Technologies Corporation operates the flight system with support from the Laboratory for Atmospheric and Space Physics at the University of Colorado in Boulder.

For more information about the Kepler mission, visit:

http://www.nasa.gov/kepler

A related feature story about other potentially habitable planets is online at: http://www.nasa.gov/jpl/finding-another-earth

-end-

Kepler-452b and Earth
This artist's concept compares Earth (left) to the new planet, called Kepler-452b, which is about 60 percent larger in diameter.
Credits: NASA/JPL-Caltech/T. Pyle

Scale of Kepler-452b System
This size and scale of the Kepler-452 system compared alongside the Kepler-186 system and the solar system. Kepler-186 is a miniature solar system that would fit entirely inside the orbit of Mercury.
Credits: NASA/JPL-CalTech/R. Hurt

Kepler Planet Candidates July 2015
There are 4,696 planet candidates now known with the release of the seventh Kepler planet candidate catalog - an increase of 521 since the release of the previous catalog in January 2015.
Credits: NASA/W. Stenzel

Twelve Small Habitable Zone Kepler Planets
Since Kepler launched in 2009, twelve planets less than twice the size of Earth have been discovered in the habitable zones of their stars.
Credits: NASA/N. Batalha and W. Stenzel

Kepler-452 in space
This artist's concept depicts one possible appearance of the planet Kepler-452b, the first near-Earth-size world to be found in the habitable zone of star that is similar to our sun.
Credits: NASA/JPL-Caltech/T. Pyle

Friday, July 10, 2015

U2, 2015-07-10 - U2.com, 'There is a light, don't let it go out...'

http://www.u2.com/news/title/there-is-a-light-dont-let-it-go-out

'There is a light, don't let it go out...'

10 Jul 2015


'There is a light, don't let it go out...'

Directed by Vincent Haycock and featuring Woody Harrelson and Zoe Harrelson, this seven and a half minute short film accompanies 'Song For Someone', the third single from Songs of Innocence and released on Monday.

Premiered in the US on Sundance TV, the film goes out to the world on Monday... but we've got it for our subscribers ahead of general release.

With cinematography by Steve Annis and produced by Pete Vitale & Park Pictures, Song for Someone features Woody Harrelson as a man being released from prison after years of incarceration and also features his daughter Zoe Harrelson.

Speaking about the film Bono, The Edge, Adam Clayton and Larry Mullen Jr. said, 'Vincent Haycock’s vision and Woody and Zoe Harrelson’s performances didn’t just complement Song For Someone — they completed it. We could never have envisioned the new dimension this beautiful story would give our song, and we thank everyone involved for their part in fully bringing Song For Someone to life.'

Watch the video and tell us what you think in the comments below.



And in another exclusive for U2.com subscribers we're now premiering this special behind-the-scenes video in which Vincent Haycock talks about how he came up with the narrative idea - and how Woody and Zoe became involved.

Thursday, July 09, 2015

U2, 2015-07-09 - U2.com, Stories That Haven't Been Told...

http://www.u2.com/news/title/stories-that-havent-been-told

Stories That Haven't Been Told...

09 Jul 2015







'Listening to the track I was thinking of stories that haven't been told... how to tell a story that would fit the language of Songs Of Innocence and the idea of what this album is about.'

A seven and a half minute short film by Vincent Haycock, starring Woody Harrelson and Zoe Harrelson, accompanies the release of Song For Someone, the third single from Songs of Innocence, released this Monday.

The video features Woody Harrelson as a man being released from prison after years of incarceration and also features his daughter Zoe Harrelson.

In the US you can now watch the video on Sundance TV.

In an exclusive for U2.com subscribers we're premiering this special behind-the-scenes video in which Vincent Haycock talks about how he came up with the narrative idea - and how Woody and Zoe became involved.

Thursday, June 18, 2015

Madonna (Ft. Nicki Minaj) - Bitch I'm Madonna

This is the awesome third video by Madonna. From the new and 13th studio album "Rebel Heart".
Featuring guest stars: Beyoncé, Miley Cyrus, Diplo, Nicki Minaj, Katy Perry, Rita Ora, Chris Rock and Kanye West along with fashion designer Alexander Wang and Madonna’s sons Rocco and David, the “Bitch I’m Madonna” video was shot on the 17th floor at Andre Balasz’s Standard Highline hotel and in its clubs the Boom Boom Room and Le Bain.

Madonna - Bitch I'm Madonna ft. Nicki Minaj



Hope you will love this awesome lyric.

Madonna (Ft. Nicki Minaj) - Bitch I'm Madonna

[Hook 1: Madonna]
Ooooooooooh
Ooooooooooh
(You're gonna love this)
Ooooooooooh
(You can't touch this)
Ooooooooooh
(Cuz I'm a bad bitch)

[Verse 1: Madonna]
We hit the elevator right up to the rooftop
The bass is pumping make me wanna screw the top off
Yeah, we'll be drinking and nobody's gonna stop us
And we'll be kissing anybody that's around us

[Pre-Chorus 1: Madonna]
I just wanna have fun tonight (blow up this shit tonight)
Put me under the flashing light
Ohhhhh, let me blow up this house tonight
(Gonna blow up!)

[Drop]

[Chorus: Madonna]
We go hard or we go home
We gon do this all night long
We get freaky if you want
Na nana na na na
We go hard or we go home
We gon do this all night long
We get freaky if you want
Bitch, I'm Madonna
(Bitch bitch, I'm Madonna)
(Bitch bitch, I'm Madonna)

[Verse 2: Madonna]
We're jumping in the pool and swimmin' with our clothes on
I poured a beer into my shoe and got my freak on
The neighbor's pissed and says he's gonna call the Five-O
If they show up then we are gonna give a good show

[Pre-Chorus 2: Madonna]
I just wanna go out tonight
Put me under the flashing light
Ohhhhh, let me blow up this house tonight
(Gonna blow up!)

[Drop: Nicki Minaj]
(B-b-bitch move)

[Chorus: Madonna]
We go hard or we go home
We gon do this all night long
We get freaky if you want
Na nana na na na
We go hard or we go home
We gon do this all night long
We get freaky if you want
Bitch, I'm Madonna
(Bitch, I'm Madonna)
(Bitch bitch, I'm Madonna)
(Bitch, I'm Madonna [repeat])

[Bridge: Madonna]
Who do you think you are?
You can't mess with this lucky star
Ohhhhh, who do you think you are?

[Verse 3: Nicki Minaj]
Uh!
Poured up with my nose up
And that rosé up in that thinga
I'm froze up with my stove up
Cuz he eatin' like it's his dinner
I run shit, I don't fall back
Cuz I'm on track, I'm a sprinter
I'm bossed up, I got 'em awestruck
It's not a toss up, I'm the winner
Be-b-b-beep-beep, bitch, move
Before I bang-bang with that uzz
That's Miu Miu on my shoes
Ain't got a thing left for me to prove
It's that bottle service all night
It's that pop and urban just right
It's that "go hard or go home" zone
Bitch, I'm Madonna, these hoes know

[Chorus: Madonna]
We go hard or we go home
We gon do this all night long
We get freaky if you want
Na nana na na na
We go hard or we go home
We gon do this all night long
We get freaky if you want
Bitch, I'm Madonna

[Hook 2: Madonna]
Ooooooooooh
(We do it like this)
Ooooooooooh
(You're gonna love this)
Ooooooooooh
(You can't touch this)
Ooooooooooh
(Cuz I'm a bad bitch)

[Bridge 4: Madonna]
Who do you think you are?
(Cuz I'm a bad bitch)
Who do you think you are?
(Cuz I'm a bad bitch)
Who do you think you are?
(Cuz I'm a bad bitch)
Who do you think you are?!

[Outro: Nicki Minaj]
"Go hard or go home" zone, bitch
I'm Madonna, these hoes know
"Go hard or go home" zone, bitch
I'm Madonna, these hoes know

Thursday, June 11, 2015

Christopher Lee, DEAD (1922-05-27, 2015-06-07)

Christopher Lee dies with 93. Actor.

One of the most awesome actors ever.

Remember a few of his movies like:
- "007 The Man with the Golden Gun-007 - O Homem da Pistola Dourada" as Scaramanga,
- "The Lord of the Rings: The Fellowship of the Ring-O Senhor dos Anéis - A Irmandade do Anel" as Saruman,
- "Star Wars: Episode II - Attack of the Clones-Star Wars: Episódio II - O Ataque dos Clones" as Count Dooku / Darth Tyranus,
- "The Lord of the Rings: The Two Towers-O Senhor dos Anéis - As Duas Torres" as Saruman,
- "The Lord of the Rings: The Return of the King-O Senhor dos Anéis - O Regresso do Rei" as Saruman,
- "Star Wars: Episode III - Revenge of the Sith-Star Wars: Episódio III - A Vingança dos Sith" as Count Dooku / Darth Tyranus,
- "The Hobbit: An Unexpected Journey-O Hobbit: Uma Viagem Inesperada" as Saruman,
- "The Hobbit: The Battle of the Five Armies-O Hobbit: A Batalha dos Cinco Exércitos" as Saruman.

Here it goes the story of Christopher Lee from Wikipedia

Thanks to Christopher Lee on Wikipedia

Christopher Lee (27 May 1922 – 7 June 2015) was an English actor, singer, and author. With a career spanning nearly 70 years, Lee initially portrayed villains and became best known for his role as Count Dracula in a sequence of Hammer Horror films. His other film roles include Francisco Scaramanga in the James Bond film The Man with the Golden Gun (1974), Saruman in The Lord of the Rings film trilogy (2001–2003) and The Hobbit film trilogy (2012–2014), and Count Dooku in the final two films of the Star Wars prequel trilogy (2002 and 2005).

Lee was knighted for services to drama and charity in 2009, received the BAFTA Fellowship in 2011 and received the BFI Fellowship in 2013. Lee considered his best performance to be that of Pakistan's founder Muhammad Ali Jinnah in the biopic Jinnah (1998), and his best film to be the British horror film The Wicker Man (1973).

Always noted as an actor for his deep strong voice, Lee was also known for his singing ability, recording various opera and musical pieces between 1986 and 1998 and the symphonic metal album Charlemagne: By the Sword and the Cross in 2010 after having worked with several metal bands since 2005. The heavy metal follow-up titled Charlemagne: The Omens of Death was released on 27 May 2013. He was honoured with the "Spirit of Metal" award in the 2010 Metal Hammer Golden God awards ceremony.

Early life

Christopher Lee was born in Belgravia, Westminster, London, on 27 May 1922, the son of Lieutenant Colonel Geoffrey Trollope Lee (1879–1941), of the 60th King's Royal Rifle Corps, and his wife, Contessa Estelle Marie (née Carandini di Sarzano) (1889–1981). Lee's father fought in the Boer War and in the First World War and his mother was an Edwardian beauty who was painted by Sir John Lavery as well as by Oswald Birley and Olive Snell, and sculpted by Clare Frewen Sheridan. Lee's maternal great-grandfather was an Italian political refugee, whose wife, Lee's great-grandmother, was English-born opera singer Marie Carandini (née Burgess). He had one sister, Xandra Carandini Lee (1917–2002).

Lee's parents separated when he was four and divorced two years later. During this time, his mother took him and his sister to Wengen in Switzerland. After enrolling in Miss Fisher's Academy in Territet, he played his first role, as Rumpelstiltskin. They then returned to London, where Lee attended Wagner's private school in Queen's Gate and his mother married Harcourt George St-Croix Rose, a banker and uncle of Ian Fleming. Fleming, author of the James Bond novels, thus became Lee's step-cousin. The family moved to Fulham, living next door to the actor Eric Maturin. One night, he was introduced to Prince Yusupov and Grand Duke Dmitri Pavlovich, the assassins of Grigori Rasputin, whom Lee was to play many years later.

When Lee was nine, he was sent to Summer Fields School, a preparatory school in Oxford many of whose pupils later attended Eton. He continued acting in school plays, though "the laurels deservedly went to Patrick Macnee." Lee applied for a scholarship to Eton, where his interview was to prove portentous because of the presence of the noted ghost story author M. R. James. Sixty years later, Lee played the part of James for the BBC. His poor maths skills meant that he placed eleventh and thus missed out on being a King's Scholar by one place. His step-father was not prepared to pay the higher fees that being an Oppidan Scholar meant and so he did not attend. Instead, Lee attended Wellington College, where he won scholarships in the classics, studying Ancient Greek and Latin. Aside from a "tiny part" in a school play, he didn't act while at Wellington. He was a "passable" racquets player and fencer and a competent cricketer but did not do well at the other sports played: hockey, football, rugby and boxing. He disliked the parades and weapons training and would always "play dead" as soon as possible during mock battles. Lee was frequently beaten at school, including once at Wellington for "being beaten too often", though he accepted them as "logical and therefore acceptable" punishments for knowingly breaking the rules. At age 17 and with one year left at Wellington, the summer term of 1939 was his last. His step-father had gone bankrupt, owing £25,000.

His mother separated from Rose and Lee had to get a job, his sister already working as a secretary for the Church of England Pensions Board. With most employers on or preparing to go on summer holidays, there were no immediate opportunities for Lee and so he was sent to the French Riviera, where his sister was on holiday with friends. On his way there he stopped briefly in Paris, where he stayed with the journalist Webb Miller, a friend of Rose, and witnessed the execution of Eugen Weidmann, the last person to be executed in public in France. Arriving in Menton, he stayed with the Russian Mazirov family, living among exiled princely families. It was arranged that he should stay on in Menton after his sister had returned home, but with Europe on the brink of war, he returned to London instead. He worked as an office clerk for United States Lines, taking care of the mail and running errands.

Honours

In 1997, he was appointed a Commander of the Venerable Order of Saint John. On 16 June 2001, as part of that year's Queen's Birthday Honours, Lee was appointed a Commander of the Order of the British Empire "for services to Drama". He was made a Knight Bachelor "For services to Drama and to Charity" on 13 June as part of the Queen's Birthday Honours in 2009. He was knighted by Prince Charles, but because of his age he was excused the usual requirement to kneel and received the knighthood whilst standing. Lee was named 2005's 'most marketable star in the world' in a USA Today newspaper poll, after three of the films he appeared in grossed US$640 million. In 2011, Lee was awarded the BAFTA Academy Fellowship by Tim Burton.

In 2011, accompanied by his wife Birgit and on the 164th anniversary of the birth of Bram Stoker, Lee was honoured with a tribute by University College Dublin, and described his honorary life membership of the UCD Law Society as "in some ways as special as the Oscars". He was awarded the Bram Stoker Gold Medal by the Trinity College Philosophical Society, of which Stoker was President, and a copy of Collected Ghost Stories of MR James by Trinity College's School of English. The government of France made him a Commander of the Order of Arts and Letters in 2011.

Personal life


Lee with his wife, the Danish former model Birgit Krøncke Lee, March 2009

The Carandinis, Lee's maternal ancestors, were given the right to bear the coat of arms of the Holy Roman Empire by the Emperor Frederick Barbarossa. Cinemareview cites: "Cardinal Consalvi was Papal Secretary of State at the time of Napoleon and is buried at the Pantheon in Rome next to the painter Raphael. His painting, by Lawrence, hangs in Windsor Castle".

Lee was a step-cousin of Ian Fleming, author of the James Bond spy novels, and a distant relative of Robert E. Lee and the astronomer John Lee.

Lee was engaged for a time in the late fifties to Henriette von Rosen, whom he met at a nightclub in Stockholm. Her father, Count Fritz von Rosen, proved demanding, getting them to delay the wedding for a year, asking his London-based friends to interview Lee, hiring private detectives to investigate him, and asking Lee to provide him with references, which Lee obtained from Douglas Fairbanks, Jr., John Boulting and Joe Jackson. Lee found the meeting of her extended family to be like something from a surrealist Luis Buñuel film and thought they were "killing me with cream". Finally, Lee had to have the permission of the King of Sweden to marry. Lee had met him some years before whilst filming Tales of Hans Anderson and received his blessing. However, shortly before the wedding, Lee ended the engagement. He was concerned that his financial insecurity in his chosen profession meant that she "deserved better" than being "pitched into the dishevelled world of an actor". She understood and they called the wedding off.

Lee was introduced to Danish painter and former model Birgit "Gitte" Krøncke by a Danish friend and his wife in 1960. They were engaged soon after and married on 17 March 1961. They had a daughter, Christina Erika Carandini Lee (b. 1963), who married Juan Francisco Aneiros Rodriguez in July 2001. Lee was also the uncle of the British actress Dame Harriet Walter. Both Christopher Lee and his daughter Christina provided spoken vocals in Rhapsody of Fire's album From Chaos to Eternity.

Known for his imposing height, Lee stood 6 ft 5 in (1.95 m) tall. Lee and his wife Birgit were listed as among the fifty best-dressed over 50s by the Guardian in March 2013.

Lee was a supporter of the British Conservative Party. He described Michael Howard as "the ideal person to lead the party" in 2003 and supported William Hague and David Cameron.

Contrary to popular belief, Lee did not have a vast library of occult books. When giving a speech at the University College Dublin on 8 November 2011, he said: "Somebody wrote I have 20,000 books. I'd have to live in a bath! I have maybe four or five [occult books]." He further admonished the students against baneful occult practices, warning them that he had met "people who claimed to be Satanists. Who claimed to be involved with black magic. Who claimed that they not only knew a lot about it," however he himself had certainly never been involved: "I warn all of you: never, never, never. You will not only lose your mind, you'll lose your soul".

Death

Lee died at the Chelsea and Westminster Hospital on 7 June 2015 at 8:30 am after being admitted for respiratory problems and heart failure, shortly after celebrating his 93rd birthday there. His wife delayed the public announcement until 11 June, in order to break the news to their family.

Filmography

Main article: Christopher Lee filmography

Awards and nominations

Year Nominated work Award Results
1973 The Wicker Man Saturn Award for Best Actor Nominated
1979 Arabian Adventure Saturn Award for Best Actor Nominated
2001 The Lord of the Rings: The Fellowship of the Ring Phoenix Film Critics Society Award for Best Cast Won
2001 The Lord of the Rings: The Fellowship of the Ring MTV Movie Award for Best Fight (shared with Ian McKellen) Nominated
2001 The Lord of the Rings: The Fellowship of the Ring MTV Movie Award for Best Villain Nominated
2001 The Lord of the Rings: The Fellowship of the Ring Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Nominated
2002 Star Wars Episode II: Attack of the Clones MTV Movie Award for Best Fight Won
2002 The Lord of the Rings: The Two Towers Online Film Critics Society Award for Best Cast Won
2002 The Lord of the Rings: The Two Towers Phoenix Film Critics Society Award for Best Cast Won
2002 The Lord of the Rings: The Two Towers Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture Nominated
2010 Alice in Wonderland Teen Choice Award for Movie;– Choice Fight (shared with Mia Wasikowska) Won
2011 Hugo Washington D.C. Area Film Critics Association Award for Best Cast Nominated

Sir Christopher Lee
CBE CStJ
Christopher Lee at the Berlin International Film Festival 2013.jpg
Born Christopher Frank Carandini Lee
27 May 1922
Belgravia, London, England
Died 7 June 2015 (aged 93)
Chelsea, London, England
Occupation Actor, singer, author
Years active 1946–2015
Spouse(s) Birgit Krøncke (m. 1961; his death 2015)
Children 1
Military career
Allegiance  Finland
 United Kingdom
Service/branch Finnish Army (1939)
British Home Guard (1940)
Royal Air Force (1941–46)
Years of service 1939–1946
Rank Flight Lieutenant
Battles/wars
Website
christopherleeweb.com

You can find more info of Sir Christopher Frank Carandini Lee on his imdb page

Monday, June 08, 2015

Melanie C - Carolyna

Remembering the awesome song and video "Carolyna" by the amazing Melanie C.
8 years ago on 8th of June 2007 Melanie C released Carolyna.

Melanie C - Carolyna (Music Video) (HQ)



Hope you will love this awesome lyric.

Melanie C - Carolyna

Just another girl with a dream in her heart
Wanna make a new start with a fire inside of her
She had to go
She couldn't stay around, everybody let her down
Stole the light and the life and the child inside of her
She's so alone
Running for the train
Take her far away from everything she knows
And the way they make her feel
She leaves today
Never look back never lose track already strong
She's seen too much at seventeen
The past will fade with the future that she craves

[Chorus]
Carolyna you travel so far
Trying to escape the pain, start again where you are
Carolyna you keep following your star
Nobody said you're beautiful, you're beautiful the way you are

Finally you're free where you long to be
But it won't take long till hits reality
The streets are cold
Big, bad city gonna eat you up
Hard to survive, hard to keep your sanity
Still feeling low
But she's never going home

[Chorus]
Carolyna you travel so far
Trying to escape the pain, start again where you are
Carolyna you keep following your star
Nobody said you're beautiful, you're beautiful the way you are

you're beautiful, you're beautiful
you're beautiful, you're beautiful
you're beautiful, you're beautiful
you're beautiful, you're beautiful

She tries to rest
All she needs is a warm caress
All she wants is happiness

[Chorus]
Carolyna you travel so far
Trying to escape the pain, start again where you are
Carolyna you keep following your star
Nobody said you're beautiful, you're beautiful the way you are

[Chorus]
Carolyna you travel so far (So beautiful the way you are)
Trying to escape the pain, start again where you are
Carolyna you keep following your star (So beautiful the way you are)
Nobody said you're beautiful, you're beautiful the way you are
Carolyna.

Friday, May 29, 2015

Kelly Clarkson - Invincible

This is the new video by Kelly Clarkson.
Second song out from the new album "Piece by Piece".

Kelly Clarkson - Invincible



Hope you will love this awesome lyric.

Kelly Clarkson - Invincible

You know I was broke down, I had hit the ground
I was crying out, I couldn't make no sound
No one hears the silent tears collecting
You know I had lost hope, I was all alone
Never been so long till you came along
Teacher, I feel the dots connecting

Beat down on me, beat down like a waterfall
Cause I can take on so much more than I had ever dreamed
So beat down on me, beat down like a waterfall
Cause baby, I am ready to be free

Now I am invincible
No, I ain't a scared little girl no more
Yeah, I am invincible
What was I running for
I was hiding from the world
I was so afraid, I felt so unsure
Now I am invincible
Another perfect storm

Now I am a warrior, a shooting star
Know I got this far, had a broken heart
No one hears the silent tears collecting
Cause it's being weak, but strong in the truth I found
I have courage now, gonna shout it out
Teacher, I feel the dots connecting

Beat down on me, beat down like a waterfall
Cause I can take on so much more than I had ever dreamed
So beat down on me, beat down like a waterfall
Cause baby, I am ready to be free

Now I am invincible
No, I ain't a scared little girl no more
Yeah, I am invincible
What was I running for
I was hiding from the world
I was so afraid, I felt so unsure
Now I am invincible
Another perfect storm

I was running from an empty threat
Of emptiness
I was running from an empty threat
That didn't exist
I was running from an empty threat
Of abandonment
I was running from an empty threat
That didn't exist

But now I am invincible
No, I ain't a scared little girl no more
Yeah, I am invincible
What was I running for
I was hiding from the world
I was so afraid, I felt so unsure
Now I am invincible
Another perfect storm

Now I am invincible
No, I ain't a scared little girl no more
Yeah, I am invincible
What was I running for
I was hiding from the world
I was so afraid, I felt so unsure
Now I am invincible
Another perfect storm

Friday, May 15, 2015

U2, 2015-05-17 - Entertainment, Review: Barry Egan at U2's opening night of Innocence + Experience in Vancouver

http://www.independent.ie/entertainment/music/music-reviews/review-barry-egan-at-u2s-opening-night-of-innocence-experience-in-vancouver-31224378.html

Review: Barry Egan at U2's opening night of Innocence + Experience in Vancouver

Barry Egan in Vancouver at U2

Published 15/05/2015 | 06:41


Bono, of the band U2, throws water at the crowd while the Edge watches as they perform in the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. (Jonathan Hayward/The Canadian Press via AP) MANDATORY CREDIT
Bono, of the band U2, throws water at the crowd while the Edge watches as they perform in the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. (Jonathan Hayward/The Canadian Press via AP) MANDATORY CREDIT
A SLUMBERING giant awoke last night near the snow-capped Grouse Mountains in Canada.

Or to put it another way, U2 came back to the world stage last night in front of 20,000 fans at Rogers Arena in Vancouver.

It was not quite the return of four all-conquering superheroes but more like four men who have been through the wars before coming out the other side... with a brilliant new album that got denigrated.

The brilliance of the current Songs of Innocence album was obscured by the PR disaster that was the iTunes download debacle.


Bono, left, and Adam Clayton, of the band U2, perform in the band's first concert of their new world tour in Vancouver. Photo: Jonathan Hayward/The Canadian Press via AP
Bono, left, and Adam Clayton, of the band U2, perform in the band's first concert of their new world tour in Vancouver. Photo: Jonathan Hayward/The Canadian Press via AP
"Divisive" wouldn’t begin to describe it.

So U2 had a lot to prove last night.

Fail on this tour and U2 would be looking at a fatal loss of relevancy.

So no pressure, then.


The band U2 performs in their first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. The concert opens a 19-city tour, playing indoor arenas after a decade of larger outdoor shows. (Jonathan Hayward/The Canadian Press via AP) MANDATORY
The band U2 performs in their first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. The concert opens a 19-city tour, playing indoor arenas after a decade of larger outdoor shows. (Jonathan Hayward/The Canadian Press via AP) MANDATORY
Would Bono - after his dreadful accident in Central Park last November - be able to cut it as a performer?

No longer jumping Jack Flash -  more limping hack trash.  No longer the young Dub who jumped down off the stage at Live Aid during Bad … now a battered 55 year old man held together by surgical pins, like a rock-star Frankenstein.

The answer to most of the above questions is, mercifully, that U2 – on the basis of what they did on stage last night in Canada – have no worries about the future.

They opened at 9pm with a blitzkrieg bop version of The Miracle (Of Joey Ramone), which was quickly followed by Out Of Control.


Bono, of the band U2, performs in the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. The concert opens a 19-city tour, playing indoor arenas after a decade of larger outdoor shows. (Jonathan Hayward/The Canadian Press via AP) MANDATORY
Bono, of the band U2, performs in the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. The concert opens a 19-city tour, playing indoor arenas after a decade of larger outdoor shows. (Jonathan Hayward/The Canadian Press via AP) MANDATORY
“We’re a band from the Northside of Dublin,” Bono told Canada, introducing the song “This is one of our first singles [released in 1980]."

I’m glad to say that Ballymum boyo Bono still rocks like a beautiful bastard. After Out Of Control, they segued into Vertigo then an unsurprisingly emotive, even empowering, I Will Follow.

“A boy tries hard to be a man

His mother takes him by his hand

If he stops to think he starts to cry

Oh why,” he sang of his late mother.

And U2, with one of the greatest back-catalogues of songs from any band in the world, still have the power to move the listener to tears – both of joy and sadness.


Bono, of the band U2, spits water while performing in the band's first concert of their new world tour in Vancouver,  Thursday, May, 14, 2015. (Jonathan Hayward/The Canadian Press via AP) MANDATORY
Bono, of the band U2, spits water while performing in the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. (Jonathan Hayward/The Canadian Press via AP) MANDATORY



When Bono et al are at full throttle, as they are on Until The End Of The World and Bullet The Blue Sky, the very walls of  Rogers Arena seem to shake with the excitement of it all. It is at times like these when you realise just how magical these four fellas from the Northside of Dublin actually are. And why they are such a big part of our lives – and the zeitgeist.

So it would be a grave mistake to write off U2 as a music entity just because you don’t like a) U2 moving their tax affairs to Holland,  b) Bono once shaking George Bush’s hand or c) that Bono has more money than you or I.

U2's Innocence + Experience is certainly not a normal rock show.  Take That it certainly isn’t.

Advance reports indicated that it would be an autobiographical piece of rock theatre that owed more to Beckett than Bowie.

And yes, the opening image of the show is a single light bulb swinging forlornly inside Bono’s bedroom as a teenager at 10 Cedarwood Road in Dublin's Finglas/Ballymum, but it is all rather compelling.

Bono sings on Cedarwood Road, the sixth song into the set last night: "You can’t return to where you never left. I’m still standing on that street."

Unless you have a heart of stone, this is all quite moving. 

It is here inside Bono’s bedroom that we will hear young Paul Hewson listen to the records -  courtesy of Joey Ramone and The Clash among many others -   that made him want to be a singer called Bono. There is plenty of dark psychoanalysis of Bono’s youth, not least on the emotionally lacerating Iris (Hold Me Close), where the U2 singer sings about the moment his life crumbled to dust when he was 14:  his mother Iris died.


Bono, of the band U2, throws water at the crowd during the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. (Jonathan Hayward/The Canadian Press via AP) MANDATORY CREDIT
Bono, of the band U2, throws water at the crowd during the band's first concert of their new world tour in Vancouver, Thursday, May, 14, 2015. (Jonathan Hayward/The Canadian Press via AP) MANDATORY CREDIT
So far, so bleak.

So far, so Beckett.

As Bono half-joked in an interview with The New York Times last week,  “People will walk out into the aisles not buying T-shirts but having counselling, and wondering, ‘Where did the fun go?’”

In reality, there was plenty of fun last night in Vancouver. Mysterious Ways, followed by Desire and The Sweetest Thing had everyone in the audience showing their allegiances.

Bullet The Blue Sky was magnificent, as was – as ever – Sunday Bloody Sunday followed by the overwhelming raw power of Raised By Wolves. Pride of course, was a defining moment of the night. There was no songs, perhaps understandably, from the last album No Lines On The Horizon.

It was an incredible night in Canada. (And I say this having seen U2 in concert in Miami, New York, Boston, LA, Paris, Rotterdam, Glasgow, Prague, San Francisco , Rome, London, to name a few of their gigs,  over the years.)

Any fears that U2 were putting on an over-reaching and pretentious rock opera heavy on concept and low on emotion are  dismissed as soon as Bono bursts into  the singular beauty of tonight's opener The Miracle (of Joey Ramone).

Every one of the 20,000 in the audience are bopping along to the sonic splendor of U2’s punk homage with Bono singing – and the audience singing the words back to him – “I woke up at the moment when the miracle occurred: heard a song that made sense out of the world.”

The crowd are held in thrall to every “wooah” from Bono, every soaring guitar riff from The Edge, every beat from Larry begin the kit and every whoosh from Adam’s bass-lines.

The crowd also hang on Bono’s every word like he is their personal Jesus.



The songs set forth Bono’s personal criteria of spiritual longing - restless search even.

The images (of Guggi on a horse, of the Dublin bombings of 1974 ) are even more powerful when it is set against the songs. Raised by Wolves shone with a beautiful sadness. But nothing compared to the terrible beauty of Iris (Hold Me Close.)

He introduced the song by saying if you are can’t discuss the past then you are stuck in the past. “This is for you, Iris,” the boy inside the man Bono said.

In the darkness of the vast arena last night, Bono then sang:

The star

That gives us light

Has been gone a while

But it’s not an illusion

The ache

In my heart

Is so much a part of who I am

Something in your eyes

Took a thousand years to get here

It was like Bono was singing to his late mum, as much to God, for deliverance.

Everyone in Rogers Arena last night was transported to a different world as Bono sang these words. I’m sure Larry Mullen was at that exact moment thinking of his late father, who died last weekend in Dublin.

Last night in Vancouver it was a night for reflection – and dancing, as U2, lest we forget, have some cracking tunes.

As the title of the show Innocence + Experience suggests, this is not Cats. This is a show that comes with a narrative about the human condition. It is far from French existentialism that Bono was reared but if this show is about anything, it is as much about the meaning of death (of mothers, of victims of bombings, of dreams) as it is about life.

(Before the show I listened at the hotel to California (There is No End to Love), where Bono sings "I’ve seen for myself/There’s no end to grief", is a kick to the heart. It said it all. They didn't play it at the show.)

The first half of show is called Innocence.

There was be an interval, something of a first for a U2 show. Then the second half saw U2 walk down a giant walkway to the opposite end of the arena to play the second part of the show, which was called Experience. (I hope you're all paying attention at the back. Because I'll be asking questions at the end.)

360, U2’s last concert tour from 2009 through 2011, earned the band an eye-watering €653 million in ticket sales from playing stadiums globally to crowds of upwards of 80,000.

Innocence + Experience is a much more stripped-back affair, with U2 playing indoor venues to dramatically smaller crowds.

Be that as it may, for the last few days on the eve of their Innocence and Experience world tour U2 have owned Vancouver. Irish bars downtown are full of U2 fans celebrating Bono, Larry, The Edge and Adam in their midst.

On Thursday morning, the group from Ireland was on the front page of Canada's Globe & Mail newspaper under the headline, How Long Must They Sing This Song?

The truth is, thousands of people have travelled from all over the world (some even sleeping on the pavement outside Rogers Arena here in Vancouver to get the best view of the stage) to hear U2 sing their songs during a two hour show last night - and again tomorrow. They’ll get to see an incredible performance from a band that unapologetically refuse to fade from view.

The crowd gave them a standing ovation as the came off to With Or Without You.

Five minutes later, the band from the Northside of Dublin encored in Vancouver with City Of Blinding Lights, Beautiful Day, Where The Streets Have No Name and Still Haven’t Found What I’m Looking For.

In short, the best U2 gig I’ve ever been to. See you in Dublin at Christmas, Bono.

BB King, 2015-05-15 - The New York Times, B. B. King, Defining Bluesman for Generations, Dies at 89

http://www.nytimes.com/2015/05/16/arts/music/b-b-king-blues-singer-dies-at-89.html?smid=tw-bna

B. B. King, Defining Bluesman for Generations, Dies at 89



Associated Press

B. B. King, whose world-weary voice and wailing guitar lifted him from the cotton fields of Mississippi to a global stage and the apex of American blues, died Thursday in Las Vegas, The Associated Press reported. He was 89.

His death was reported to The A.P. by his attorney, Brent Bryson.

Mr. King married country blues to big-city rhythms and created a sound instantly recognizable to millions: a stinging guitar with a shimmering vibrato, notes that coiled and leapt like an animal, and a voice that groaned and bent with the weight of lust, longing and lost love.

“I wanted to connect my guitar to human emotions,” Mr. King said in his autobiography, “Blues All Around Me” (1996), written with David Ritz.

In performances, his singing and his solos flowed into each other as he wrung notes from the neck of his guitar, vibrating his hand as if it were wounded, his face a mask of suffering. Many of the songs he sang — like his biggest hit, “The Thrill Is Gone” (“I’ll still live on/But so lonely I’ll be”) — were poems of pain and perseverance.

The music historian Peter Guralnick once noted that Mr. King helped expand the audience for the blues through “the urbanity of his playing, the absorption of a multiplicity of influences, not simply from the blues, along with a graciousness of manner and willingness to adapt to new audiences and give them something they were able to respond to.”

B. B. stood for Blues Boy, a name he took with his first taste of fame in the 1940s. His peers were bluesmen like Muddy Waters and Howlin’ Wolf, whose nicknames fit their hard-bitten lives. But he was born a King, albeit in a sharecropper’s shack surrounded by dirt-poor laborers and wealthy landowners.

Mr. King went out on the road and never came back after one of his first recordings reached the top of the rhythm-and-blues charts in 1951. He began in juke joints, country dance halls and ghetto nightclubs, playing 342 one-night stands in 1956 and 200 to 300 shows a year for a half-century thereafter, rising to concert halls, casino main stages and international acclaim.

He was embraced by rock ’n’ roll fans of the 1960s and ’70s, who remained loyal as they grew older together. His playing influenced many of the most successful rock guitarists of the era, including Eric Clapton and Jimi Hendrix.

Mr. King considered a 1968 performance at the Fillmore West, the San Francisco rock palace, to have been the moment of his commercial breakthrough, he told a public-television interviewer in 2003. A few years earlier, he recalled, an M.C. in an elegant Chicago club had introduced him thus: “O.K., folks, time to pull out your chitlins and your collard greens, your pigs’ feet and your watermelons, because here is B. B. King.” It had infuriated him.

When he saw “long-haired white people” lining up outside the Fillmore, he said, he told his road manager, “I think they booked us in the wrong place.” Then the promoter Bill Graham introduced him to the sold-out crowd: “Ladies and gentlemen, I bring you the chairman of the board, B. B. King.”

“Everybody stood up, and I cried,” Mr. King said. “That was the beginning of it.”

By his 80th birthday he was a millionaire many times over. He owned a mansion in Las Vegas, a closet full of embroidered tuxedoes and smoking jackets, a chain of nightclubs bearing his name (including a popular room on West 42nd Street in Manhattan) and the personal and professional satisfaction of having endured.

Through it all he remained with the great love of his life, his guitar. He told the tale a thousand times: He was playing a dance hall in Twist, Ark., in the early 1950s when two men got into a fight and knocked over a kerosene stove. Mr. King fled the blaze — and then remembered his $30 guitar. He ran into the burning building to rescue it.

He learned thereafter that the fight had been about a woman named Lucille. For the rest of his life, Mr. King addressed his guitars — big Gibsons, curved like a woman’s hips — as Lucille.

He married twice, unsuccessfully, and was legally single from 1966 onward; by his own account he fathered 15 children with 15 women. But a Lucille was always at his side.

Riley B. King (the middle initial apparently did not stand for anything) was born on Sept. 16, 1925, to Albert and Nora Ella King, both sharecroppers, in Berclair, a Mississippi hamlet outside the small town of Itta Bena. His memories of the Depression included the sound of sanctified gospel music, the scratch of 78-r.p.m. blues records, the sweat of dawn-to-dusk work and the sight of a black man lynched by a white mob.

By early 1940 Mr. King’s mother was dead and his father was gone. He was 14 and on his own, “sharecropping an acre of cotton, living on a borrowed allowance of $2.50 a month,” wrote Dick Waterman, a blues scholar. “When the crop was harvested, Riley ended his first year of independence owing his landlord $7.54.”

In November 1941 came a revelation: “King Biscuit Time” went on the air, broadcasting on KFFA, a radio station in Helena, Ark. It was the first radio show to feature the Mississippi Delta blues, and young Riley King heard it on his lunch break at the plantation. A largely self-taught guitarist, he now knew what he wanted to be when he grew up: a musician on the air.

The King Biscuit show featured Rice Miller, a primeval bluesman and one of two performers who worked under the name Sonny Boy Williamson. After serving in the Army and marrying his first wife, Martha Denton, Mr. King, then 22, went to seek him out in Memphis, looking for work. Memphis and its musical hub, Beale Street, lay 130 miles north of his birthplace, and it looked like a world capital to him.

Mr. Miller had two performances booked that night, one in Memphis and one in Mississippi. He handed the lower-paying nightclub job to Mr. King. It paid $12.50.

Mr. King was making about $5 a day on the plantation. He never returned to his tractor.

He was a hit, and quickly became a popular disc jockey playing the blues on a Memphis radio station, WDIA. “Before Memphis,” he wrote in his autobiography, “I never even owned a record player. Now I was sitting in a room with a thousand records and the ability to play them whenever I wanted. I was the kid in the candy store, able to eat it all. I gorged myself.”

Memphis had heard five decades of the blues: country sounds from the Delta, barrelhouse boogie-woogie, jumps and shuffles and gospel shouts. He made it all his own. From records he absorbed the big-band sounds of Count Basie, the rollicking jump blues of Louis Jordan, the electric-guitar styles of the jazzman Charlie Christian and the bluesman T-Bone Walker.

On the air in Memphis, Mr. King was nicknamed the Beale Street Blues Boy. That became Blues Boy, which became B. B. In December 1951, two years after arriving in Memphis, Mr. King released a single, “Three O’Clock Blues,” which reached No. 1 on the rhythm-and-blues charts and stayed there for 15 weeks.

He began a tour of the biggest stages a bluesman could play: the Apollo Theater in Harlem, the Howard Theater in Washington, the Royal Theater in Baltimore. By the time his wife divorced him after eight years, he was playing 275 one-night stands a year on the so-called chitlin’ circuit.

There were hard times when the blues fell out of fashion with young black audiences in the early 1960s. Mr. King never forgot being booed at the Royal by teenagers who cheered the sweeter sounds of Sam Cooke.

“They didn’t know about the blues,” he said 40 years after the fact. “They had been taught that the blues was the bottom of the totem pole, done by slaves, and they didn’t want to think along those lines.”

Mr. King’s second marriage, to Sue Hall, also lasted eight years, ending in divorce in 1966. He responded in 1969 with his best-known recording, “The Thrill Is Gone,” a minor-key blues about having loved and lost. It was co-written and originally recorded in 1951 by another blues singer, Roy Hawkins, but Mr. King made it his own.

The success of “The Thrill Is Gone” coincided with a surge in the popularity of the blues with a young white audience. Mr. King began playing folk festivals and college auditoriums, rock shows and resort clubs, and appearing on “The Tonight Show.”

Though he never had another hit that big, he had more than four decades of the road before him. He eventually played the world — Russia and China as well as Europe and Japan. His schedule around his 81st birthday, in September 2006, included nine cities over two weeks in Denmark, Belgium, the Netherlands, Germany, France and Luxembourg. Despite health problems, he maintained a busy touring schedule until 2014.

In addition to winning more than a dozen Grammy Awards (including a lifetime achievement award), having a star on Hollywood Boulevard and being inducted in both the Rock and Roll and Blues Halls of Fame, Mr. King was among the recipients of the Kennedy Center Honors in 1995 and was given the Presidential Medal of Freedom in 2006, awards rarely associated with the blues. In 1999, in a public conversation with William Ferris, chairman of the National Endowment for the Humanities, Mr. King recounted how he came to sing the blues.

“Growing up on the plantation there in Mississippi, I would work Monday through Saturday noon,” he said. “I’d go to town on Saturday afternoons, sit on the street corner, and I’d sing and play.

“I’d have me a hat or box or something in front of me. People that would request a gospel song would always be very polite to me, and they’d say: ‘Son, you’re mighty good. Keep it up. You’re going to be great one day.’ But they never put anything in the hat.

“But people that would ask me to sing a blues song would always tip me and maybe give me a beer. They always would do something of that kind. Sometimes I’d make 50 or 60 dollars one Saturday afternoon. Now you know why I’m a blues singer.”

Monday, May 11, 2015

U2, 2015-05-11 - COS, A good samaritan repaired U2’s Joshua Tree

http://consequenceofsound.net/2015/05/a-good-samaritan-repaired-u2s-joshua-tree/

A good samaritan repaired U2’s Joshua Tree

on May 11, 2015, 4:55pm

U2's Joshua Tree repaired fixed

Earlier this year, a U2 fan discovered that someone had vandalized a limb of the famed Joshua Tree. Though it’s still unclear who was behind the hack job, one kind samaritan took it upon himself to head out to the Mojave Desert and perform “surgery” on the tree’s injured “arm.”

The man — who goes by the name George G. — spent the better part of the evening of May 3rd in the dark, guided through his “operation” by just a dim flashlight. Using adhesive and a couple of well-hidden anchor screws, he was able to piece the limb back together again. By the end of his repairs, U2’s Joshua Tree looked good as new. As proof of his completed mission, George G. provided a video of the whole procedure, which you can watch below.



Before:

Joshua Tree - cut, vandalized

After:

Joshua-Tree-Repaired

Wednesday, April 08, 2015

Madonna - Ghosttown

This is the awesome second video by Madonna.
From the new album "Rebel Heart".

Madonna - Ghosttown



Hope you will love this awesome lyric.

Madonna - Ghosttown

Maybe it was all too much
Too much for a man to take
Everything's bound to break
Sooner or later, sooner or later

You're all that I can trust
Facing the darkest days
Everyone ran away
We're gonna stay here, we're gonna stay here

Ah, ah
I know you're scared tonight
Ah, ah
I'll never leave your side

When it all falls, when it all falls down
I'll be your fire when the lights go out
When there's no one, no one else around
We'll be two souls in a ghosttown

When the world gets cold, I'll be your cover
Let's just hold onto each other
When it all falls, when it all falls down
We'll be two souls in a ghosttown

Tell me how we got this far
Every man for himself
Everything's gone to hell
We gotta stay strong, we're gonna hold on

This world has turned to dust
All we've got left is love
Might as well start with us
Singing a new song, something to build on

Ah, ah
I know you're scared tonight
Ah, ah
I'll never leave your side

When it all falls, when it all falls down
I'll be your fire when the lights go out
When there's no one, no one else around
We'll be two souls in a ghosttown

When the world gets cold, I'll be your cover
Let's just hold onto each other
When it all falls, when it all falls down
We'll be two souls in a ghosttown

I know we're alright
'Cause we'll never be alone in this mad mad, in this mad mad world
Even with no light
We're gonna shine like gold in this mad mad, in this mad mad world

When it all falls, when it all falls down
I'll be your fire when the lights go out
When there's no one, no one else around
We'll be two souls in a ghosttown

When it all falls, when it all falls down
I'll be your fire when the lights go out
When there's no one, no one else around
We'll be two souls in a ghosttown

When the world gets cold, I'll be your cover
Let's just hold onto each other
When it all falls, when it all falls down
We'll be two souls in a ghosttown
When it all falls, when it all falls down
We'll be two souls in a ghosttown

Thursday, April 02, 2015

SketchSHE - Mime Through Time

This video is so epic. I love it. A trio of girls in a car dancing with songs that I love. Maybe only 1 song that I don't know or like.

Mime Through Time by SketchSHE

Buckle up as SketchSHE take you for a ride through the ages! (Contains hip thrusting, low riding and head banging…obviously.)

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Follow us on Instagram & Twitter! @SketchShe
Shae-Lee @Shaeleeshack
Madison @Madisonlloyd
Lana @Lanakington
sketchshe@gmail.com

Shae-Lee, Lana and Madison - female comedy trio! Brazen, bold and audacious bringing you a mixed bag of characters and chaos!